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(1964),” the latter knocking the Beatles off the top of the pop charts at the height of Beatlemania. Through the years, Louis entertained millions, from heads of state and royalty to the kids on his stoop in Corona. Despite his fame, he remained a humble man and lived a simple life in a working-class neighborhood. To this day, everyone loves Louis Armstrong—just the mention of his name makes people smile.
The preserved house of a jazz legend still echoes with his music.
By the end of Armstrong's life, his influence had spread to popular music in general. Armstrong was one of the first popular African-American entertainers to "cross over" to wide popularity with White and international audiences. He rarely publicly discussed racial issues, to the dismay of fellow African Americans, but took a well-publicized stand for desegregation in the Little Rock crisis.
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It took decades, but the archives became accessible in the 90’s, and the historic house opened for public tours in 2003. The Louis Armstrong House Museum (LAHM) became its own entity, with its expanded programs and official 501c3 non-profit status in 2008. LAHM administers the historic house under a long-term license agreement with the New York City Department of Cultural Affairs and Queens College.
Louis Armstrong House Museum Opens New Center - uDiscover Music
Louis Armstrong House Museum Opens New Center.
Posted: Wed, 12 Jul 2023 07:00:00 GMT [source]
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He earned a reputation at "cutting contests", and his fame reached band leader Fletcher Henderson. He moved to New York City, where he became a featured and musically influential band soloist and recording artist. By the 1950s, he was a national musical icon, appearing regularly in radio and television broadcasts and on film. Armstrong’s half-empty bottle of Lanvin cologne still sits on the dresser in the master bedroom; their old Electrolux vacuum cleaner is still stashed in a hallway closet.
Queens lawmaker injured at ribbon-cutting of Louis Armstrong Center in his district – QNS - QNS
Queens lawmaker injured at ribbon-cutting of Louis Armstrong Center in his district – QNS.
Posted: Fri, 30 Jun 2023 07:00:00 GMT [source]
PRESERVING THE LEGACY: LISTENING PARTY
But Sebastian's Cotton Club, located at the intersection of Washington and National, was Culver City's premier jazz club. Opened in 1926 by Frank Sebastian, the club was one of, if not the first, to feature bands of exclusively black musicians. According to Martin Turbull, it was open late; very late. If you made it through the night, you'd be served breakfast in the morning.
Armstrong and Oliver became the talk of the town with their intricate two-cornet breaks and started making records together in 1923. By that point, Armstrong began dating the pianist in the band, Lillian Hardin. In 1924, Armstrong married Hardin, who urged Armstrong to leave Oliver and try to make it on his own. A year in New York with Fletcher Henderson and His Orchestra proved unsatisfying so Armstrong returned to Chicago in 1925 and began making records under his own name for the first time. Louis Armstrong was one of the most recognizable entertainers in the world when he chose the working-class neighborhood of Corona, Queens to be his home in 1943. We preserve Louis and Lucille’s home, now a historic site and world-class museum.
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His resonant, velvety lower-register tone and bubbling cadences on sides such as "Lazy River" exerted a huge influence on younger white singers such as Bing Crosby. Recently, we were invited to take part in a house tour, which took us through the Armstrongs’ living room, bedroom, bathroom, kitchen and den (deemed Louis’ “man cave”). From the moment we stepped inside, it was evident that Armstrong’s essence completely saturates the house.
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The full story of what happened next would require an in-depth investigation through our Archives, but in short, Al Cobette and Allan McMillan, another of Louis’s old friends who wrote for the Black press, were removed (or resigned) from the LAMP project. We also have a handwritten note from Lucille, angry that the organization was losing money and she wasn’t being given any reports. Very little survives about the Louis Armstrong Memorial Project in the late 1970s, but suddenly, it was resuscitated thanks to the efforts of two major players in the history of the Louis Armstrong House Museum, the aforementioned Jeffrion Aubry and Helen Marshall. Publicity for the Armstrong Center and its new “Here to Stay” exhibit curated by Jason Moran has been spectacular; you can learn more about it through pieces on CBS Sunday Morning, WNYC radio, the Gothamist, NPR, and many other outlets. In 1968, Armstrong scored one last popular hit in the UK with "What a Wonderful World", which topped the British charts for a month.
Go right on 37th Avenue 4 blocks and make a left on 107th Street. Enjoys sold-out performances in Montreal, Toronto, and Las Vegas. Films When the Boys Meet the Girls and A Man Called Adam. Broadcasts over Voice of America from the Monterey Jazz Festival. Appears on television shows, The Dean Martin Show and Shindig.
Armstrong started to work at Connie's Inn in Harlem, chief rival to the Cotton Club, a venue for elaborately staged floor shows,[63] and a front for gangster Dutch Schultz. Armstrong had considerable success with vocal recordings, including versions of songs composed by his old friend Hoagy Carmichael. His 1930s recordings took full advantage of the RCA ribbon microphone, introduced in 1931, which imparted warmth to vocals and became an intrinsic part of the 'crooning' sound of artists like Bing Crosby. Armstrong's interpretation of Carmichael's "Stardust" became one of the most successful versions of this song ever recorded, showcasing Armstrong's unique vocal sound and style and his innovative approach to singing songs that were already standards. The records by Louis Armstrong and His Five–and later, Hot Seven–are the most influential in jazz.
His act included singing and telling tales of New Orleans characters, especially preachers.[44] The Henderson Orchestra played in prominent venues for white patrons only, including the Roseland Ballroom, with arrangements by Don Redman. Duke Ellington's orchestra went to Roseland to catch Armstrong's performances. The Louis Armstrong Archive, the world's largest for any single jazz musician, was established at Queens College in 1991. A dozen years later, the brick-faced home, already a registered landmark, opened to the public as the Louis Armstrong House Museum — a lovingly tended time capsule, and a humble but hallowed site of pilgrimage for fans from around the world. Despite his international fame and acclaim, jazz legend Louis Armstrong retired to an unpretentious home in a quiet Queens neighborhood, which is now a museum dedicated to the musician. After our tour concluded, we also learned about the forthcoming Louis Armstrong House Museum Education Center, which will sit on the site located across the street from the house museum.
Hosts the Fleischmann’s Yeast Show, a national network radio program. Marries Lil Hardin, the pianist in the King Oliver’s Creole Jazz Band on February 5th. Moves to New York City in September to join the Fletcher Henderson Orchestra at the Roseland Ballroom. Records with Henderson, with Sidney Bechet, and with several blues singers, including Sippie Wallace, Clara Smith, and Ma Rainey. Moves to Chicago in August to play second cornet in the band of Joe Oliver, now nicknamed “King” Oliver. Joe Oliver moves to Chicago and Louis takes his place in the Kid Ory band, a leading group in New Orleans, and also performs occasionally with the Tuxedo Brass Band.
"Lewie" is the French pronunciation of "Louis" and is commonly used in Louisiana. On February 28, 1948, Suzy Delair sang the French song "C'est si bon" at the Hotel Negresco during the first Nice Jazz Festival. On June 26, 1950, he recorded the American version of the song (English lyrics by Jerry Seelen) in New York City with Sy Oliver and his Orchestra. When it was released, the disc was a worldwide success and the song was then performed by the greatest international singers. Bookings for big bands tapered off during the 1940s due to changes in public tastes.
Performs at a birthday celebration for President John F. Kennedy on May 23, 1963. Joe Glaser becomes Louis’s manager (and remains Louis’s manager until his death in 1969). Appears at Connie’s Inn in New York City (the ensemble is billed as “Louis Armstrong and His Orchestra”) and the performances are nationally broadcast over CBS radio.
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